Another Steam Christmas sale has come and gone, and if you’re anything like me, you probably made some unorthodox purchases. I’ve owned Dungeons of Dredmor from Gaslamp Games for a couple of months now, but like so many other games, it sat ignored and uninstalled, only serving as a permanent reminder to spend less money on Steam games every single time I looked at my Steam Library. Over the winter break, the game’s DLC, Realm of the Diggle Gods, had dropped to a measly $0.74 USD, and naturally I fell for the sale-trap yet again and snapped it up. This time, I felt really dumb having purchased DLC for a game I wasn’t even sure that I liked, so the obligation to boot it up swelled within me, and I took a self-punishing plunge into this fairly recent roguelike.
The gameplay in Dungeons of Dredmor is pretty similar to any other roguelike – wander around in randomly generated dungeons, fight monsters, find loot, dodge traps, and constantly pray that you don’t die. The combat is turn-based; whenever you move your character or take an action like eating or attacking, all of the enemies on the map all get a turn to do the same. This makes the combat focused on character planning and positioning. Simple strategies like funneling six enemies into a narrow corridor instead of letting yourself get surrounded are key to not biting the dust. And, as a key staple of roguelikes, permadeath plays a solid role in making you think about the ramifications of your actions, since you can lose hours of progress with a few stupid choices. However, if you’re new to the genre, Dungeons of Dredmor has a few nice options to make the game more accessible, such as the option to turn permadeath off and a difficulty selection.
The era of ASCII graphics in roguelikes seems to be rapidly coming to a close, for better or worse. In this case, I’ll make an argument for the better, since this game emanates style from every pore. The art direction is very reminiscent of early PC games, almost striking a resemblance to an old LucasArts point-and-click adventure. The sound effects and music also share that fantastic old-school feel, combining everything into a melting pot of warm and bubbly nostalgia, despite the game being released just last year. It even accomplishes the difficult feat of being genuinely funny, and layers a thick sense of humor on top of the whole package. The attention to detail is evident with everything from item descriptions to propaganda posters hanging up on the walls of the dungeon sponsored by the game’s end boss, smack-talking enemies (“i hope you have a terrible day” is a common expression) and a deep voice-over that praises you with a booming “HEROIC VANDALISM!” every time you smash a statue of evil. It doesn’t take itself too seriously, and feels clever enough to make you happy it was included.
While the game is exponentially more accessible than most roguelikes available, it still has a steep learning curve. The stat screen has several dozen little colored icons which tell you what they do when you hover over them, but memorizing them and figuring out how they synergize will take a significantly long time. A lot of the game is made intentionally vague to help encourage player experimentation, but certain mechanics are simply TOO vague. I didn’t even learn how to sell items until I accidentally held down Shift when I was in a shop. The tutorial does an OK job of explaining the basics, but hiding things as elementary as “selling items” from the player serves no purpose. Also, certain elements of the UI are needlessly archaic, such as the lack of mouse-wheel scrolling, and a crafting menu that’s essentially a cobbled-together mess of icons instead of something well-explained and easy to use.
Despite being a great showpiece for roguelikes in general, Dungeons of Dredmor raises a few important questions. How many people are actively still looking to play a masochistic glimpse into the relics of gaming’s past? Does the lack of hand holding, the steep learning curve, or the overall classic style hold any modicum of a broader appeal, or are roguelikes strictly stuck in the hearts of a select niche? Breaking past the ASCII-graphics and making permadeath a selection seem like wide strides from the age-old formula for this type of game, but I’m stuck wondering just how many more people those choices could attract. However, I can at least tell you on a personal level that the game strikes a huge measure of positive chords with me, and I think that for $5 USD (available now on Steam), more people owe it to themselves to see if this genre might hit those same high notes within themselves.